Ambrotype photograph of Omar ibn Said, from the Ambrotype Collection in the North Carolina Collection’s Photographic Archives: https://finding-aids.lib.unc.edu/P0007

Omar ibn Said (Arabic: عمر بن سعيد‎, romanized: ʿUmar bin Saeed or Omar ben Saeed)

(c. 1770–1864)

He was a FulaIslamic scholar from Futa Toro in West Africa (present-day Senegal), who was enslaved and transported to the United States in 1807. There, while enslaved for the remainder of his life, he wrote a series of Arabic-language works on history and theology, including a short autobiography.

He was an Islamic scholar and a Fula who spent 25 years of his life studying with prominent Muslim scholars, learning a range of subjects including mathematics, astronomy, business, and theology. In 1807, he was captured during a military conflict, enslaved and taken across the Atlantic Ocean to the United States. He escaped from a cruel master in Charleston, South Carolina, and journeyed to Fayetteville, North Carolina. There he was recaptured, sent to jail, and later sold to James Owen, whom Omar ibn Said described as being gracious towards him. The Owen family was impressed by ibn Said’s education, and they provided him with an English translation of the Quran. He also received an Arabic translation of the Bible with the help of Francis Scott Key, author of “The Star-Spangled Banner.” Ibn Said was offered multiple opportunities to return to Africa, but he chose to remain in the United States, citing his uncertainty that his family and his people were still intact. He lived into his mid-nineties and was still enslaved at the time of his death in 1864. He was buried in Bladen County, North Carolina. Omar ibn Sa’id was also known as Uncle Moreau and Prince Omeroh.

Although it is said that ibn Said converted to Christianity on December 3, 1820, his conversion to Christianity is disputed, as there are dedications to Muhammad written in his Bible, and a card dated 1857 on which he wrote Surat An-Nasr, a short surah (chapter in the Quran) which refers to the conversion of non-Muslims to Islam ‘in multitudes.’ The back of this card contains another person’s handwriting in English misidentifying the surah as the Lord’s Prayer and attesting to Omar’s status as a good Christian. Additionally, while others writing on Omar’s behalf identified him as a Christian, his own autobiography and other writings offer more of an ambiguous position. In the autobiography, he still offers praise to Muhammad when describing his life in his own country; his references to “Jesus the Messiah” in fact parallel Quranic descriptions of Jesus (who is called المسيح‎ ‘the Messiah’ a total of eleven times in the Quran), and descriptions of Jesus as ‘our master’ (سيدنا‎ sayyidunā) employ the typical Islamic honorific for prophets and is not to be confused with Lord (ربّ‎ rabb); and description of Jesus as ‘bringing grace and truth’ (a reference to John 1:14) is equally appropriate to the conception of Jesus in Islam. It was most likely he stayed a Muslim his whole life, but was believed to have converted to Christianity by people at the time when simply, he loved Jesus, since he is considered a prophet in Islam. This was stated in his auto-biography.

Literary analysis of ibn Said’s autobiography suggests that he wrote it for two audiences, the white literates who sought to exploit his conversion to Christianity and Muslim readers who would recognize Qur’anic literary devices and subtext and understand his position as a fellow Muslim using Taqiya to hide his faith while living under persecution. In a letter written to Sheikh Hunter regarding the autobiography, he apologized for forgetting the “talk” of his homeland and ended the letter saying: “O my brothers, do not blame me,” with the knowledge that Hunter would require Arabic-speaking translators to read the message. Scholar Basima Kamel Shaheen argues that Said’s spiritual ambiguity may have been purposefully cultivated to impress upon a wide readership the injustices of slavery.

Surat Al-Mulk from the Qur’an, copied by Omar ibn Sa’id in a rudimentary Fulani script

Omar ibn Said authored fourteen manuscripts in Arabic. The best known of these is his autobiographical essay, The life of Omar ben Saeed, called Morro, a Fullah Slave in Fayetteville, N.C. Owned by Governor Owen, written in 1831. It describes some of the events of his life and includes reflections on his steadfast adherence to Islam and his openness towards other “God-fearing” people. On the surface, the document may appear to be tolerant towards slavery; however, Said begins it with Surat Al-Mulk, a chapter from the Qur’an, which states that only God has sovereignty over human beings. The manuscript is the only known Arabic autobiography by a person enslaved in the United States. It was sold as part of a collection of Said’s documents between private collectors and later acquired by the Library of Congress in 2017. It has since been treated for preservation and made available for viewing online.

Most of Said’s other work consisted of Islamic manuscripts in Arabic, including a handwritten copy of some short chapters (surat) from the Qur’an that are now part of the North Carolina Collection in the Wilson Library at the University of North Carolina at Chapel Hill. His Bible, a translation into Arabic published by a missionary society, which has notations in Arabic by Said, is part of the rare books collection at Davidson College. Said also authored a letter in Arabic dated 1819 addressed to James Owen’s brother, Major John Owen. It contains numerous Quranic references (including from the above-mentioned Surat Al-Mulk) and includes several geometric symbols and shapes which suggest to its possible esoteric intentions. This letter is currently held at Andover Theological Seminary.

Photographic portrait, c. 1905
Reverse of c. 1905 portrait


Legacy

In 1991, a mosque in Fayetteville, North Carolina renamed itself Masjid Omar ibn Sayyid in his honor.

The opera Omar, inspired by ibn Said and written by Rhiannon Giddens and Michael Abels, had its debut at the Sottile Theater during the Spoleto Festival USA in Charleston, South Carolina on May 27, 2022. Omar won the Pulitzer Prize for Music on May 8, 2023.